Tomorrow, the Universe
Feb. 11th, 2015 05:37 amFanfic at The New Yorker
Why does our beloved genre and its epiphenomena keep breaking through into the mainstream? IMO, because we have so many cool toys, and writers have near-zero resistance to them. The privileging of the mainstream was a social construct built around a distribution channel, and Main Street’s been in bad shape for a while now, but there’s nothing theoretical about a case of the plot bunnies. Ask any writer who’s had one. The only way to get rid of a plot bunny, even a disreputably fannish one, is to write it.Thanx to Making Light.
There's a new movie about Dave Van Ronk. Back in the day, his tribe (folk music) and what would become mine (fanzine fandom) overlapped. The late Lee Hoffman, a beloved figure in both, remembered.
Thanx to Avedon's Sideshow.
Thanx to Avedon's Sideshow.
Richard E. Geis (1927-2013)
Mar. 1st, 2013 04:03 pmI discovered fanzine fandom in the early '70s, and one of the first fan writers I noticed was Dick Geis. He wrote well, including about his sexual practices, desires, and hangups, and he had a rare talent for stirring up controversy and fannish war, which he may have enjoyed as much as sex. One thing that encouraged my own fanwriting career was the awareness of what he was getting away with. When I did a zine, he was most encouraging, though he said I was too nice and should be stirring up more trouble. A lot of other people appreciated him (Wikipedia list of his fannish accomplishments).
ETA: Andy Porter remembers.
ETA: Andy Porter remembers.
Nice Distinctions #23
Jul. 24th, 2012 03:07 pmMy latest zine is available in print and online, and at that excellent site
http://efanzines.com
http://efanzines.com